Whatever you want, Liu Tong can use his hands to create it out of paper. From a rhino down to a tiny ant, he has created them all with a single piece of paper. Liu Tong uses origami to describe his inner feelings, and his work is well regarded.
In 2006, when Liu Tong was studying in Germany, he saw a man folding paper to create a flower and was fascinated how such a beautiful object could emerge from a single piece of paper.
Liu Tong returned to China were he was a university lecturer. However, his thoughts soon turned to origami, and he spent much of his spare time researching various paper folding techniques passed down over the centuries. Chinese origami has a long history in China, but it was the Japanese who brought it to prominence.
Liu Tong stated:
“Many people thought that origami originated from Japan because they treat origami as a national treasure. I would like to use my action to prove to what extent origami has originated and developed in China”.
In 2016, his work “Angel Gabriel” was placed in a collection by the Hungarian Embassy, while his “Black Eagle” was added to a collection by the German Football Association. Liu Tong was also invited by Hermes to create a window design based upon his creations. Apart from being collector’s items, his works are also national gifts.
In 2014, his work “Beauty of the Qing Vase” was presented to the Gabonese Republic as a national gift to celebrate the 40th anniversary of the establishment of diplomatic relations between China and Gabon. During the 2015 World Peace Festival, Liu Tong’s work “The Rites of Ding” was presented to Japan as a national gift from China, and in 2016, his work “Harmony and Peace” was presented as a national gift to the president of the Republic of Maldives.
To Liu Tong, origami art has a profound meaning:
“Origami should not only serve as handicraft for people to admire, it can also represent one’s inner feelings.”
In 2016, Liu Tong told this story on his WeChat page. “A man killed a pangolin and exhausted all means to open up it’s curled up body. He next put it on a fire, and even though the animal was burned black, the body was still curled up and it took a long time for him to straighten it out. The man was shocked to find a moving baby inside the pangolin’s belly. The pangolin, until it’s last breath, tried to protect her child. This story showed how the power of a mother’s love surpasses the limits of life.”
Liu Tong was deeply moved by this story and created the works “Shelter of Motherhood.” His works were displayed by the Prado Museum in Spain, where they touched the hearts of all those who came to visit.
Later, he came to know about the endangered northern white rhino in Africa. With 100 square meters of white paper, he spent almost a year to complete an origami rhino measuring more than 6 meters long and 3 meters wide. Upon completion of his work, Liu Tong said:
“I use art to send a message to mankind to come together to protect animals; do not let another white rhino baby lose its mother.”
Liu Tong used his white rhino to send a message about conservation and it was displayed at the embassies of several countries of the European Union.
Translated by Chua, B.C.